Chapter 3: A Crack in the Clockwork
Chapter 3: A Crack in the Clockwork
The days between Thursdays were a kind of limbo. They were silent, empty stretches of time Renée was meant to fill with a life that wasn't hers. She’d wander the vast, sterile rooms of the penthouse, a ghost haunting a museum of a life. She’d read, swim in the private lap pool on the 60th floor, and sketch in a notebook, but the charcoal felt foreign in her clean, uncalloused hands.
This Saturday was different.
The air lacked the charged, sensual weight of a Thursday. Alan was present, a rare occurrence for a weekend. He was in the living area, not his office, dressed in tailored grey trousers and a cashmere sweater that probably cost more than her first car. He was reading a financial report on a tablet, his focus absolute.
“We have an engagement at three,” he announced without looking up.
Renée, curled on a sofa across the cavernous room, lowered her book. “An engagement?” This was not on the shared digital calendar that dictated her life.
“The opening of the Weiss Gallery downtown,” he said, finally lifting his gaze. His grey eyes were neutral, informational. “A new acquisition is being unveiled. One of my board members is a patron. Our attendance is expected.”
Of course. Not a date. A strategic appearance. Playing the part of the happy, cultured billionaire couple for the benefit of his business circle. It was just another performance, on a different stage.
“I’ll be ready,” she said, her voice a perfect imitation of a placid wife.
The Weiss Gallery was a stark white space, buzzing with the quiet hum of money and influence. Champagne flutes clicked, and low, confident voices discussed art as an asset class. Renée felt a painful, familiar pang. This was her world, or it should have been. But she was here as an accessory, not an artist.
Alan moved through the crowd with predatory grace, a polite, impenetrable mask firmly in place. He introduced her as “my wife, Renée,” his hand resting proprietarily on the small of her back. The touch was cool, a signal to others, nothing more. She smiled until her cheeks ached, murmured pleasantries, and tried not to let the scent of turpentine from a freshly varnished piece in the corner break her heart.
She drifted away while Alan was cornered by a silver-haired man, needing a moment of anonymity. She found herself in a smaller, quieter side room dedicated to works on paper. And there, she stopped breathing.
It wasn't a large, important piece. It was a series of six small charcoal sketches, framed simply in black wood. They depicted a storm gathering over a restless sea. The artist had captured the chaos with raw, frantic energy—the wildness of the waves, the turbulent weight of the clouds. It was messy, emotional, and breathtakingly honest. It was everything her current life was not. She felt a profound connection to the unknown artist, a kinship with their ability to render such beautiful turmoil.
“You like these.”
His voice, so close behind her, made her jump. Alan had approached with his usual silence. She had expected him to be dismissive, to see only smudges of carbon on paper.
“They’re… alive,” she managed, her voice thick with an emotion she hadn’t allowed herself to feel in months. “The artist isn’t just drawing the sea. They’re drawing a feeling. The moment right before everything breaks.”
She looked at him, ready for a blank stare or a curt nod. Instead, his gaze was fixed on the sketches, a flicker of genuine curiosity in his analytical eyes. He wasn't looking at them as an investment. He was actually looking.
“Explain,” he commanded, though the word was softer than usual.
And so she did. She pointed out the violent cross-hatching, the way the artist had used an eraser to pull light from the oppressive darkness, the raw energy in every line. She spoke of chaos theory and the beauty of imperfection, of how control was an illusion. She forgot who she was talking to. For a few minutes, she wasn't the contract wife. She was Renée, the artist, sharing her passion.
When she finished, a flush on her cheeks, she braced for his judgment. He said nothing. He just held her gaze for a long, unreadable moment before turning and walking back into the main gallery. The rejection, subtle as it was, stung more than she expected. Of course he didn't understand.
They left twenty minutes later. The car ride home was wrapped in their usual silence. Renée stared out the window, watching the city blur past, feeling foolish for her brief, hopeful outburst. The perfectly structured clockwork of their arrangement was still ticking, uninterrupted.
They were back in the penthouse, the door sliding shut behind them, when one of Alan’s security staff followed them out of the private elevator, carrying a flat, carefully wrapped package. The guard handed it to Alan, nodded, and departed.
Alan turned to her. He held out the package. “For you.”
Renée stared at it, then at him, confused. “What is it?”
“You seemed to like them,” he said, his voice a low murmur.
Her fingers trembled as she tore away the brown paper. Inside, protected by layers of tissue, were the six charcoal sketches of the stormy sea.
Her breath caught in her throat. She looked up at him, her eyes wide with disbelief. He hadn’t bought her diamonds or a designer handbag—things for the trophy wife. He had bought her a piece of a soul that spoke to hers. He had listened. He had seen her.
A tiny, fragile flower of hope began to bloom in the barren wasteland of her chest. It was a terrifying, exhilarating feeling. “Alan… thank you. I…” She didn’t know what to say. I love it felt too intimate. It’s beautiful felt inadequate.
He gave a small, almost imperceptible nod, as if embarrassed by the breach in his own protocol. “There is a wall in your studio space. They would fit there.”
Her studio space. He’d called it her studio space, not the spare room.
The air between them shifted, becoming lighter, charged with a new, unspoken potential. This wasn't in the contract. This wasn't a scheduled interaction. This was real. A crack had appeared in the flawless, cold clockwork of their lives. Maybe, just maybe, the man who had bought her body was beginning to see her soul.
She was carefully unwrapping the last of the sketches, her heart soaring with a dangerous, reckless optimism, when his phone buzzed. It was his work phone, the one that never stopped.
He answered it immediately, his entire posture shifting. The softness vanished. The armor of Alan Sterling, CEO, snapped back into place. His back straightened, his face became an emotionless mask.
“Davies,” he said, his tone clipped and cool.
Renée froze, the sketch held delicately in her hands. She couldn't hear the voice on the other end, but Alan's responses were brutally clear.
“Yes, I’m aware of the quarterly schedule… I understand the board’s concerns.” A pause. The air grew cold. “Regarding her performance… No. No progress to report this month.”
Her performance. The words struck her like a physical blow, knocking the air from her lungs. Performance. Like a show horse. Like a stock that fails to yield a return.
“We’ll discuss the next steps as per the agreement,” Alan concluded, his voice utterly devoid of emotion. He hung up.
The silence that followed was terrifying. He turned, and for an instant, she thought she saw a flicker of something in his eyes—annoyance? Regret? It was gone before she could be sure. He looked from her stricken face to the charcoal drawing in her hand.
“I have work to do,” he said, and without another word, he turned and walked into his home office, the door clicking shut behind him.
Renée stood motionless in the center of the vast living room. The beautiful, chaotic sea in the sketch now mocked her. It wasn't a gift. It was a pacifier. A bonus for an underperforming asset. The crack she had imagined in the clockwork wasn't a sign of hope. It was a flaw in the system, one that his lawyer had just called to report.
And there were, apparently, next steps.
Characters

Alan Sterling
