Chapter 1: Here's Looking at You, Kid

Chapter 1: Here's Looking at You, Kid

The town of Dam’s End revealed itself grudgingly, one damp, grey building at a time, as Leo Vance’s vintage Chevy Cheyenne rumbled down the main street. The truck, a cherry-red ‘71, felt obscenely loud and bright here, an unwelcome splash of color against a sepia-toned world of peeling paint and watchful, curtained windows. Leo, a man built for comfort rather than speed, felt his city-dweller’s anonymity sloughing off with every mile. He was an oversized, bespectacled bull in a china shop of secrets, and he could feel the eyes on him.

This was it. The grand escape from a career designing soul-crushing corporate logos and a life measured in caffeine and anxiety. His inheritance from a great-aunt he barely remembered was supposed to be a peaceful refuge, a place to decompress and maybe finally finish his graphic novel. Aunt Steffy. A woman known in the family as "the eccentric one," which was polite code for "the one who ran off to the middle of nowhere to stuff dead animals."

The house was worse, and better, than he’d imagined. Set back from the road at the town's edge, it was a two-story clapboard structure sagging under the weight of overgrown ivy and the oppressive shadow of the forest that bordered the property. The woods weren't the friendly, sun-dappled kind from nature documentaries; they were a dense, dark wall of ancient pines and oaks that seemed to drink the light.

Pushing open the heavy front door, Leo was hit by the scent of dust, dried herbs, and something else… a faint, formaldehyde sharpness. The inside was a chaotic museum of a single, peculiar obsession. Books on folklore, botany, and local history were stacked in precarious towers. Strange symbols were painted in faded ochre above doorways. And everywhere—on shelves, mantelpieces, and even a dedicated glass display case—were squirrels.

Dozens of them. Taxidermy squirrels, frozen in unnervingly lifelike poses. One held a tiny, acorn-sized teacup. Another wore a miniature fez. A particularly jaunty one was posed mid-stride, brandishing a fencing foil made from a darning needle. They were absurd, morbid, and impeccably crafted. Their little glass eyes seemed to follow him as he moved deeper into the house, his heavy footsteps echoing in the silence.

"Okay, Steffy," Leo muttered to the empty, squirrel-filled room. "You were definitely the eccentric one."

His desire for a quiet life felt almost within reach. The house was weird, sure, but it was his. It was quiet. He spent the rest of the day in a flurry of half-hearted unpacking, mostly just clearing paths through the clutter. He set up his bed in the upstairs room overlooking the backyard and the forbidding line of trees, and for the first time in months, fell asleep without the serenade of sirens and screeching tires.

He woke to the sound of birdsong, feeling a sliver of hope. Maybe this could work. He put on his glasses, shuffled to the window, and looked down at his truck.

And froze.

Overnight, someone had meticulously covered the hood, roof, and bed of his gleaming red Chevy with hundreds of pinecones, arranged in a perfect, swirling spiral.

Leo’s first reaction was annoyance, not fear. "Kids," he sighed, pulling on his jeans. It was a prank, a classic 'welcome to the neighborhood' gesture from some local troublemakers. He trudged downstairs and outside, the morning air surprisingly chill. Up close, the precision of the spiral was unsettling. It wasn't just a pile; it was art. A massive, woodland mandala on the hood of his truck.

It took him twenty minutes to clear them all off, his back complaining with every scoop. He scanned the tree line, expecting to hear a snicker or see a flash of movement. Nothing. Just the silent, watching woods. Shaking his head, he decided to let it go. No need to start a feud with the local youth on day one.

He spent the day in town, buying groceries and enduring the polite but probing stares of the few residents he encountered. The cashier at the general store, a woman with a name tag that read 'Mildred,' gave him a sad, knowing smile that made his skin crawl. "You're Steffy's boy," she said, not as a question. "Staying in her old place. Be careful out there. The woods get… playful."

The cryptic warning hung in the air as he drove back. Playful. He glanced in his rearview mirror, the road behind him empty.

The second "prank" happened the very next morning. This time, there was no artistry. No quirky warning. Just malice.

A single, deep scratch ran the length of the driver's side door, gouged into the metal, a jagged silver wound against the red paint. It wasn’t accidental. The pressure was deep and deliberate, scored with a fury that made Leo's stomach clench. This was different. This was an attack.

His calm, city-numbed pragmatism evaporated, replaced by a hot surge of anger. His truck was his one prized possession, a rolling piece of personal history he’d painstakingly restored with his father. This crossed a line.

"Alright, you little bastards!" he yelled at the silent trees. "Game over!"

He wasn't going to call the cops. What would he say? That some kids were pranking him? He’d sound like a paranoid city slicker. No, he would handle this himself. He would find these kids and give them a talking-to that would make their hair stand on end.

Fueled by righteous indignation, he started searching the edge of his property for footprints, broken branches, anything. The ground near the tree line was soft, covered in a mat of damp leaves. He found them almost immediately—small footprints, but strange. They looked less like shoe prints and more like smudges, as if whoever made them was barefoot and impossibly light.

He followed the faint trail along the perimeter of the woods. The air grew colder, the cheerful birdsong replaced by an unnerving silence. The forest didn't just block the sun; it seemed to swallow sound. He pushed aside a low-hanging branch, stepping into the twilight beneath the canopy.

And there they were.

About thirty yards away, in a small, unnaturally clear patch of woods, were four children. They were playing, but it was a joyless, silent game, like a pantomime of fun. A girl in a faded yellow dress methodically stacked smooth grey stones into a teetering pile. Two boys in grubby overalls and newsboy caps stood perfectly still, facing each other, as if in the middle of a game of statues that had lasted for hours. A fourth child, a small girl with dark pigtails, was on her knees, tracing patterns in the dirt with a single, rusty nail.

Leo opened his mouth to shout, but the word died in his throat. There was something profoundly wrong with them. Their clothes were old-fashioned, like something out of a history book from the 1930s. As he watched, a thin, unnatural fog began to seep from the ground around them, clinging to their ankles.

He took a half-step forward, snapping a twig under his boot. The sound was like a gunshot in the dead quiet.

All four of them stopped their silent play. In perfect, eerie unison, they turned their heads to look at him.

Their faces… they were pale and semi-translucent, their forms flickering at the edges like a bad film projection. But it was their eyes that stopped Leo’s heart. They weren't eyes. They were dark, empty pools of shadow, voids of absolute blackness.

And then, they smiled. All at once. Their mouths stretched too wide, splitting their pale faces with expressions of grotesque, inhuman glee.

The girl in the yellow dress, the one with the stone pile, took a single, gliding step towards him. The fog swirled faster, thickening into a grey wall.

From within the mist, a chorus of whispers slithered into his mind, a sound that was both everywhere and nowhere at once.

Leee-ooo…

Leo stumbled backward, tripping over a root, his anger instantly replaced by a primal, gut-wrenching terror. He scrambled to his feet and ran. He didn't stop until he burst from the treeline, gasping in the bright sunlight, his heart hammering against his ribs like a trapped bird.

He leaned against the scarred door of his truck, sucking in air, his mind reeling. He stared back at the woods, but the clearing was gone. The fog was gone. There was only the dense, dark, silent forest.

They weren't children. He didn't know what they were, but they weren't children. And the message was terrifyingly clear. This wasn’t a prank. It was a claim. The games, he realized with a chilling certainty, had only just begun.

Characters

Aunt Steffy

Aunt Steffy

Clara Thorne

Clara Thorne

Leo Vance

Leo Vance

The Hollow Children

The Hollow Children